Please Help Angel City Arts Present
Zeena Parkins + The Smudges

This exciting free event is scheduled for Angel City Art’s 2026 Jazz Refractions on October 22nd at the Wende Museum’s Gloria Kaufman Theater in Culver City, but we need your help. Travel arrangements from the East Coast, production expenses plus instrument rentals are very expensive. Our goal is to raise $3,000 to make this concert happen. Please help keep this concert free by making a tax deductible donation below!
THE SMUDGES – perform new works
Genre defying compositions, daring improvisations and electronically manipulated sounds; The Smudges are ‘cellist’ Maggie Parkins and violinist Jeff Gauthier. Gauthier is known for his work with guitarist Nels Cline and his twin brother drummer/percussionist Alex Cline, as well as projects with Yusef Lateef, Mark Dresser, Adam Rudolph, Nicole MItchell, Todd Sickafoose and many others. Maggie performs with Eclipse Quartet, Brightwork newMusic, and has also worked with Yuka Honda, Alex Cline, Zeena Parkins, Bjork, Caetano Veloso and many others
Zeena Parkins – How She Works
With custom-designed electronics, guitar pedals, bows, bolts, bells, corks, samples, sponges, and visuals, the beginnings of a new solo project has emerged: How She Works. The pioneering harpist, composer, and improviser continues to grapple with the sonic limits of the harp, which is impossible to bend by design. This dogged investigation releases Parkins further into unpredictable territory, working around displacement, resistance, haptic temporalities, and all that is unearthed by immersing oneself in the glorious ringing resonances of 47 strings.
New York-based electroacoustic composer/improviser Zeena Parkins is a pioneer of contemporary harp practices. Using expanded techniques, object preparations, and electronic processing, she has redefined the instrument’s capacities. Concurrently, Parkins self-designed a series of one-of-a-kind electric instruments. She leans into the harp’s physical limitations, pushing its boundaries and impossibilities. In her compositions, Parkins utilizes collections, recombination, historic proximities, geography, tactility, spatial configurations, and movement.
Sonic presence and personality are revealed in explorations of subtle frequency shifts, feedback, overtones and undertones, melodic fragments, timbral and gestural intervals, perception, and residues.
